Van Gennep\'s "Rites of Passage", Durkheim and Turner\'s Theory of Communitas

I. Classify using Van Gennep\'s categories and point out aspects which would be
of particular interest to Turner and to Chapple and Coons.

The Mescalero girls\' puberty ceremony is an example of a "Rite of
Passage," a ceremony that marks the transition of an individual from one stage
of life to another (Chapple and Coons, p. 484). The ceremony marks the
transition from girl to "mother of a nation" (p.252). The ritual serves as a
means of establishing equilibrium after the crisis of puberty (Chapple and Coons,
p. 484). It is a method of making this transition from girl to woman easier.
I classified this ceremony as a Rite of Passage, rather than a Rite of
Intensification, because it is held in response to a non-periodic change
(puberty) and it affects the participants individually. The community plays an
important role in supporting the girls-by building the tepee, for instance. At
times, as when the boys join the Singers, the community actively participates in
the ritual. However, the community is involved only because of its members\'
relations to the girls.

Van Gennep divides Rites of Passage into three parts: separation,
transition and incorporation. In the Mescalero puberty ceremony, separation is
achieved when the girls move in to their camp homes. During this stage, the
Godmothers and Singers take the role of the parents. This may be described as
a "cessation of interaction between the individual and the group in which he or
she has been interacting" (Chapple and Coons, p. 485). However, there is not a
complete separation from the girls and the community. There are instances (such
as the time when the participants sleep while the community holds contests)
when the two are physically separated, but they are near their families and
friends during most of the ceremony.

The stage of transition, or liminality, is a period in which the
participants lie "betwixt and between" two poles (Turner, p.95). For the
puberty ceremony, this period lasts for four days. In these days, the girls
receive instruction from their elders-especially from Godmothers and the
Singers. For example, the Singer teaches the tribe\'s history through his chants
and the Godmother teaches about sex. Gender differences seem to be exaggerated
rather than abolished during this phase, however. The category "female" is
related to fire, the color yellow, and the idea of being protected. "Male" is
related to the poles, the color red, and the idea of being the protector.
Yellow pollen, symbolizing women, is applied to the girls early in the ceremony.
Furthermore, rather than being stripped bare, the girls are ornately decorated.
However, one may argue that they have been stripped of the attire they wore
before the ceremony. According to Turner, the liminal period is one of
humility, obedience, and danger. The girls do exhibit these qualities during
the period of transition, particularly during the all-night dancing ordeal. I
still would not interpret this as a "low" because of the blessings the girls
bestow upon the community and because of the massages they receive from the

The period of incorporation has been described as phase in which ". .
. the individual begins once again his interaction with the members of his
community . . ." (Chapple and Coons, p. 485). As noted earlier, the girls\'
interaction with the community is maintained at different points in the ritual.
However, the girls do undergo a radical change during the ceremony, culminating
in their reincorporation into their communities as new individuals. The ceremony
began with the males constructing a lodge and ended with the girls destroying
the lodge. In the beginning, the girls gave blessings and in the end, they
received blessings. Through participating in the ordeal of the dance, the girls
gain power. This change is expressed in the following chant: "Now you are
entering the world. You become an adult with responsibilities" (p. 252).
Symbolically, the passage to womanhood is represented by painting the girls\'
faces white-the color of purity and Mother Earth.

II. Where do Durkheim and Turner find communitas? What creates feelings of
in each? Would they find it in this ritual? If so, where and why?

Turner believes that communitas arises out of an ordeal shared by
individuals. In the case of the Mescalero puberty ceremony, the primary ordeal
is the overnight dancing session. Although not explicitly stated in the
article, I can imagine strong feelings of solidarity would arise among the
girls participating in the ritual.

Durkheim\'s theory of communitas (or "collective consciousness") begins
with his analysis of Australian Aborigine culture (Durkheim, p. 34). A totem is
used to represent