The Cherry Orchard: Reality, Illusion, and Foolish Pride


Chandler Friedman
English 231
Dr. Clark Lemons


In the plays The Cherry Orchard by Anton Chekhov, A Doll's House by
Henrik Ibsen, and Galileo by Bertolt Brecht, the protagonists' mental beliefs
combine reality and illusion that both shape the plot of each respective story.
The ability of the characters to reject or accept an illusion, along with the
foolish pride that motivated their decision, leads to their personal downfall.

In The Cherry Orchard, by Anton Chekhov, Gayev and Miss Ranevsky, along
with the majority of their family, refuse to believe that their estate is close
to bankruptcy. Instead of accepting the reality of their problem, they continue
to live their lives under the illusion that they are doing well financially.
The family continues with its frivolous ways until there is no money left (the
final night they have in the house before it is auctioned, they throw an
extravagant party, laughing in the face of impending financial ruin) Even when
Lopakhin attempts to rescue the family with ideas that could lead to some of the
estate being retained, they dismiss his ideas under the illusion that the
situation is not so desperate that they need to compromise any of their dignity.


Lopakhin: As you know, your cherry orchard's being sold to pay your
debts. The auction is on the twenty second of August. But
there's no need to worry, my dear. You can sleep soundly.
There's a way out. Here's my plan. Listen carefully, please.
Your estate is only about twelve miles from town, and the
railway is not very far away. Now all you have to do is break
up your cherry orchard and the land along the river into
building
plots and lease them out for country cottages. You'll then have
an income of at least twenty-five thousand a year.
Gayev: I'm sorry, but what utter nonsense!
(Later in the Dialogue)
Mrs. Ranevsky: Cut down? My dear man, I'm very sorry but I don't
think you know what you're talking about....
Lopakhin: If we can't think of anything and if we can't come to any
decision, it won't only be your cherry orchard, but your
whole estate that will be sold at auction on the twenty-
second of August. Make up your mind. I tell you there is
no other way. (Page 621-622)

This inability on the behalf of the family to realize the seriousness of
their situation is due to their refusal to accept reality. If they had
recognized the situation they were in, and dealt with it, (they may have been
able to save some of their money, or even curbed their spending) they could have
saved themselves. Unfortunately, once things got bad for them financially, they
refused to accept that fact that circumstances had changed, and instead
continued to live as though nothing were wrong.

They adopted this illusion as a savior of their pride, and the illusion
eventually became reality for the family. Their pride wouldn't allow for
anything else. They were too proud to accept that their social status, and
financial status was in jeopardy, so they chose to live a life of illusion. In
their imaginary situation, they were going to be fine. It is easier to believe
something when you really want it to be true. Unfortunately, outside situations
don't change, even if you can fool yourself into thinking they don't exist.

The illusion that they used to run their lives became the source of
their downfall. Since they grasped at their illusion so tightly, in vain hopes
that it would replace reality, they failed to deal practically with their
problem, until it got to the point where they had to. They were kicked out onto
the street, and had all of their material things taken from them. The most
important thing they had -- their status -- was gone.

In A Doll's House, by Henrik Ibsen, property and status are again
destined to be lost. The illusion is twisted. At the beginning of the play,
Nora leads a life under the illusion that everything was perfect. She lives for
eight years with the knowledge that she has broken the law, and betrayed her
husband. Though it was necessary, the psychological toll it took on her and the
family was hardly worthwhile.

Along with Nora's flaws, her husband was also at fault. He couldn't
accept what Nora had done, and wouldn't have been able to deal with the extreme
changes which