Dance, Puppets, Dance



Dance, Puppets, Dance!
In the Hollywood blockbuster Basic Instinct, Sharon Stone plays a devious,
manipulative, sex-driven woman who gets whatever she wants through her ploys for control.
Stone’s portrayal of this character is unforgettable and makes the movie. In book or film, the
most memorable female characters are those who break out of the stereotypical “good wife”
mold. When an author or actress uses this technique effectively, the woman often carries the
story. In Geoffrey Chaucer’s Canterbury Tales, he portrays the Wife of Bath, Alison, as a
woman who bucks the tradition of her times with her brashness and desire for control to present
a woman’s point of view and to evoke some sympathy for her.
In the author’s time, much of the literature was devoted to validating the frailties of
women. However, in this story, the Wife is a woman who has outlived four of five husbands for
“of five housbodes scoleying” (P50) is she. She holds not her tongue, and says exactly what she
thinks, even if she contradicts others, even Jesus. For in the Bible it states that Jesus “Spak in
repreve of the Samaritan:/‘Thou hast yhad five housbondes,’ quod he,/‘And that ilke man that
now hath thee/Is nat thyn housbonde’” (P16). Despite this quote from the holy writ, the Wife
states that ther are no other arguments “Eek wel I woot he [Jesus] saide that myn
housbonde/Sholde lete fader and moder and take me,/But of no nombre mencion made he
[Jesus]--/Of bigamye or of octagamye” (P30). She maintains her position and dismisses the one
contention in the Bible by stating in relation to the above quote “Wat that he mente therby [she]
can nat sayn,/But that I axe why the fifthe man/Was noon housbonde to the Samaritan?/How
manye mighte she han in mariage?/Yit herde I nevere tellen in myn age/Upon this nombre
diffinicioun” (P20). A true account of her brashness is when she states that sex organs are for
pleasure as well as function. She states that “In wifhood wol I use myn instrument/As freely as
my Makere hath it sent” (P155). She displays her ruthless side when she makes her cheating
husband, the fourth, think that she is cheating and revels in this victory by saying “in his own
greece I made him frye” (P493). It is obvious that the Wife of Bath is no submissive woman
who thinks what she is told to think. She is opinionated and blunt, qualities which present her
views accordingly.
As she is not docile, the Wife must be something to the contrary, and of course she is, to
a great degree. The Wife strives to gain complete mastery over her husbands. And gain mastery
she does as “[she] hadde hem hoolly in myn hand/And sith that they hadde yiven me al hir
land/What sholde I take keep hem for to plese/But it were for my profit and myn ese” (P217).
The Wife’s secret is simple, “For half so boldely can ther no man/Swere and lie as a woman can”
(P234). She does something to every husband to maintain her control. However, Jankyn, her
fifth husband, believes in everything that disparages women, which is exactly what Alison
detests. She lashes out with all she has left: “[she] with [her] fist so took him on the cheeke/That
in oure fir he fil bakward adown” (P799). Her deceptive scheme is to pretend to die from the
blow dealt by Jankyn. “And with his fist he smoot [her] on the heed/That in the floor I lay as I
were deed./And whan he sawgh how stille that I lay,/He was agast, and wolde have fled his
way,/Til atte laste out of my swough I braide:/ ‘O hastou slain me, false thief?’ I saide,/ ‘And for
my land thus hastou modred me?/Er I be deed yit wol I kisse thee’”(P801). Obviously, this if
very effective for Jankyn is so distraught that he pleads “Myn own true wif,/Do as thee lust the
terme of al thy lif;/Keep thyn honour, and keep eek myn estat”(P825). And after he gives her
control, “we hadde never debat” (P828). She has won this battle of wits, but it seems as though
Jankyn has none. One way or another, Alison has made her puppets dance, completely under her
dominion. Her tale backs up her philosophy, as the main point is that “Wommen desire to have
sovereinetee/As wel over hir housbonde and hir love,/And for to been in maistrye him
above”(T1044). The Tale backs up the Prologue and pleads