Crime Films


When looking at the crime film it is important to understand the nature of
the films genre. The genre is a way for the audience to distinguish types of
films. These are categorised together because of standard protocols developed
for a particular types or styles of film. These films usually follow similar
guidelines in order to produce a predictable style for the audience. The
development of genre films is not entirely the prerogative of Hollywood. It is
more the desire of the public viewing audience to have an idea of the type of
film they are about to see. The western, musical or the gangster film are
examples of genre films. These categories of films all have similarities in the
ways in which they are made: musicals end happily; the westerns will all have
the final shoot out; and the gangsters will all be overcome by justice or meet
their own demise. The reason for the consistency in the films is the publics
desire to make an informed choice not and not to go in blind.

By using the genre qualification, the industry is able to target
societal groups and try to produce and market what they want to see. The public
attends a film because they think they might enjoy some aspect of it. The film
genre follows a set of abstract rules that allows the public to informally
categorize films. These rules must be viewed from an flexible point of view in
order to legitimize their future existence. By using this method of
categorizing films the public is able to decide which films they wish to see and
those they do not. Some people love musicals and if they were to go to one and
find there was no music or dance they might not be too pleased. The concept of
genre is one that may provide benefit to the viewers but at the same time may
also present problems for the directors who must compromise their artistic
aspirations. Examples of this can be seen in the production of sequels, and
the use of repetitive set qualities. These may include the mise en scene of the
picture or the inclusion of similar sound. Because of these unwritten rules the
directors must include some of the familiar aspects of the genre. The greatest
problem may be that the film must fall into a genre category. Defining it
within the genre may be compromising to the nature of the film.

Scarface (1932 U.S.A. - Howard Hawks ) is a film where ones view of the
lead role is ever changing with the apparent mental stability of the character.
Tony, the principal character, exhibits personality characteristics found in
every persons life which normally must be kept hidden. People appreciate the
fact that Tony has the guts to do what he wants and at the same time gets the
respect that he feel he deserves. Every mans dream, and on top of that he gets
paid. There is always a fascination when money and power is involved.

The character is portrayed through the majority of the film to be worry
free, on top of the world, healthy, respected, and loved. The major problems
presented to Tony through the earlier portions of the film are those just like
any common man: arguments with his mother and sister; family disputes; and
overzealous protection of his sister. In presenting the life and times of
Camonte, the viewer sees problems that might also be present in his/her own life
and can therefor relate well to them. Being able to emulate the life of the
film character enables the viewer to feel sympathy or compassion. If the viewer
can relate, he can then justify or understand the actions of the condemned.

The audience is lead into the hands of Tony and the sympathy lies with his
expression of emotion. A man whose ruthless desire to be on top enabled him to
kill one of his better friends and sisters lover remains capable of showing
remorse or fear of being alone. This is how we are able to suddenly feel for
him. He\'s tough: a mans man. You have to like him. The character of Tony
Camonte might be that of a mean and ruthless killer but at least he\'s a
capitalist, an important quality at the time. Tony throws money around, gets
the girl and a whole lot of respect. These are the opportunities that many men
would love to have.

Down to the wire we feel for the man who had it all. We recognise that
any man who is that