A Brief Investigation Into The Nature Motif Of Erich Remarque

All Quiet on the Western Front is a graphic depiction of the horrors of war. In the short note before Chapter
One, Remarque lets the reader know exactly what themes he intends. War is a savage and gratuitous evil, war is
unnatural, and war is responsible for the destruction of an entire generation. Remarque is very clear on the
strength of his themes, and uses graphic imagery to convey to the reader the physical and psychological impact
that war has on humanity. But Remarque uses more than graphic description to support his themes. Remarque
also utilizes a very defined nature motif, with the forces of nature constantly rebelling against the conflict it plays
battleground to. With the Earth itself, the source of all things, supporting his themes, Remarque has a seemingly
unbiased witness bearing testament to his observations. Remarque can use nature as the judge to condemn war,
along with shocking imagery, so that his literature remains without a trace of nationalism, political ill will, or
even personal feelings.
It should be noted that the nature motif is carried consistently throughout the novel, and that it supports
many of the author\'s lesser themes. For the purpose of portraying war as something terrible, though, the nature
motif is expressed most dramatically in the following passages. These passages mark the three distinct stages of
nature\'s condemnation of war: rebellion, perseverance, and erasure.
The first passage occurs in Chapter Four when the troops are trucked out to the front to install stakes and
wire. However, the narrator\'s squad is attacked unexpectedly by an English bombardment. With no visible
enemy to fight, the soldiers are forced to take cover and live out the bombardment. In the process, the earth is
shredded and blown asunder. It is during this melee that many of the companies\' horses are wounded, and begin
to bellow terribly.

"It is unendurable. It is the moaning of the world, it is the martyred
creation, wild with anguish, filled with terror, and groaning."

The bombing subdues, but the bellowing continues.

"The screaming of the beasts becomes louder. One can no longer
distinguish whence in this now quiet silvery landscape it comes; ghostly,
invisible, it is everywhere, between heaven and earth it rolls on

Remarque is none too subtle in using the dying horses as a metaphor for the Earth\'s own anguish. As the
men face a new horror, nature is revolting against the damage being done to it. Remarque will return to this
usage of the nature motif, with war being anomalous and unnatural in the "natural" world. At the first sign of
war, a disturbance in the Earth\'s eternal peace, nature rebels. "...it is the earth itself raging."

The next passage is found in Chapter Six, where the protagonists have experienced constant battle for
many days.

"The brown earth, torn, blasted earth, with a greasy shine under the sun\'s
rays; the earth is the background of this restless, gloomy world of

The seemingly hapless and helpless nature can now only persevere. Earth plays the role of the victim, impotent
to the forces that mutilate it. Whereas in the first passage, nature accuses man for his aberrance, and reacts
violently, but ineffectually, against that which torments it. Now, however, nature is silent. It endures, waiting for
the unnatural phenomena to pass.
The final passage is more subtle than the two prior. It is found in Chapter Six, during the calm after a
massive struggle. The dead are present everywhere, and the earth is marred with innumerable craters. It is in
this quiet that the narrator makes the following observation:

"My hands grow cold and my flesh creeps; and yet the night is warm.
Only the mist is cold, this mysterious mist that trails over the dead and
sucks from them their last, creeping life. By morning they will be pale and
green and their blood congealed and black."

Once again, Remarque uses metaphors with notable success. The mist, which behaves abnormally, is the
manifestation of nature. Nature is slowly and quietly erasing the traces of its former anguish. In this instance,
nature is at work decaying the dead; beginning the relentless process of repairing itself. This final stage in
nature\'s condemnation of war can be seen consistently throughout Chapter Eleven, where the war toils on, but
the seasons pass indifferently as the dead pile up. Nature\'s victory can be seen as the simple ability to outlast its
tormentors. The novel ends with